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supported by 35 fans who also own “The Party's Crashing Us”
Alvvays has always been great, but with this album they took it to the next level. Every one of these songs is lodged in my brain now, permanently (in a good way).
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supported by 34 fans who also own “The Party's Crashing Us”
Throughout this album, somehow, Sufjan makes me care about the state of Illinois. From detailed depictions of various landmarks and folklore, to moments of deep personal introspection; Illinois builds an incredibly dense narrative out of it's seemingly simple concept. The variety of sounds on this album is remarkable, compelling me to smile in one moment, then leaving me a sobbing mess in the next. One of the very few albums I'd consider to be 100% perfect.
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supported by 34 fans who also own “The Party's Crashing Us”
savior complex makes my stomach feel full when i forgot to have breakfast
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Guitars sparkle like distant constellations on the latest from Scythe, who delivers dazzling space rock on their latest LP.
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Io tu il loro
by Klaus Johann Grobe
Pivoting from German to English, disco to soft rock, the groovy Swiss duo branch out on their first album in six years.
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Dutch/Croatian artist Eerie Wanda creates a warm and uncanny world of silvery sound to excavate the most intimate of personal feelings.
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supported by 34 fans who also own “The Party's Crashing Us”
As far as indie albums in the 2010's and beyond go, this is one of the most cohesive and emotive albums I've experienced looking back on it and is Jay Som's best album
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