Subscribe
now to receive all the new
music
Polyvinyl Records releases,
including
10 back-catalog items,
delivered instantly to you via the Bandcamp app for iOS and Android.
Learn more.
Contextualising the metal bibliotheque as if to say “I am the redeemer”, where alpaca is the most practical safe word to end an El General song
you translated Eden Eden Eden tears falling on your French to English dictionary
While i read Gary Indiana’s Horse Crazy next to your sex toy shaped like a pink banana
We don’t want to be safe, we want experience, we want it louder
It’s crushing our ears, we don’t give a fuck, we want it louder
Loud enough to destroy the talismans of our depressions
We don’t want to be safe, we want experience, we want it louder
It’s good to look in your eyes knowing your eyes aren’t the boredom of the soul
Because they high kick me like Sly Stone on the cover of Fresh
We’re all winners and everything’s cool, we’re gonna be okay ‘cause we’re special
Anyway i thrive on racing thoughts that would drive other breeders totally mental
I’m only trying to get God’s attention by being an atheist, if we could transcend linear time think of what it would do to our inhibitions
supported by 46 fans who also own “Get God’s Attention By Being An Atheist”
Alvvays has always been great, but with this album they took it to the next level. Every one of these songs is lodged in my brain now, permanently (in a good way). s. moxley
Guitars sparkle like distant constellations on the latest from Scythe, who delivers dazzling space rock on their latest LP. Bandcamp New & Notable Apr 3, 2024
Pivoting from German to English, disco to soft rock, the groovy Swiss duo branch out on their first album in six years. Bandcamp New & Notable Mar 28, 2024
Dutch/Croatian artist Eerie Wanda creates a warm and uncanny world of silvery sound to excavate the most intimate of personal feelings. Bandcamp New & Notable Jun 30, 2022
supported by 36 fans who also own “Get God’s Attention By Being An Atheist”
This is undoubtedly my single favorite album of all time. It feels like such a perfect culmination of all the themes and ideas Fleet Foxes has been working with since 2008. It answers many of the questions found on both Helplessness Blues and Crack-Up, and represents an incredible maturation and growth in Robin Pecknold's perspective. Their other albums are certainly masterpieces, but this, in my opinion, is their magnum opus. I doubt it will be recognized as such in its time. isaiah_stuart